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MOVIEMETRIX
the abstract eNgine
our moviemetrix
are applied throughout our productions so as to provide a consistent quality product that is germane to both writers and actors; preserving and enhancing their craft
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Injured Child Flown to London
Sound of helicopter.
Fleeting adoration rained on her.
Like Jesus, palms were laid under the hoofs of her
donkey and daymares of a simulated crucifixion
froze her gaze to one spot
just below the horizon. She was here to be
buried, not kissed.
But the kissing continued. Like bees
people swept in and out of her face.
This girl and the atom bomb tell us one thing:
That for sure every person now dead has
built up a visible shadow taken from the sun
after years and days of
eating the sun while they stood in a field hovering over a
noontime meal or pausing over an axe near the woods and we
see this shadow
through the naked sockets of memory
placed into the hypothalamus of every
5 year old kid on Earth.
This is what the pygmies told us when they
bowed down to a crypt holding their maternal
grandfather’s elbow bone. This is what Serbia told us when
they swept down on a million straw men.
This is what Irma, tattered child of Bosnia tells us,
flying in grave condition to a London hospital.
Now it has a name and it’s Irma and she is
free of sin and we will kiss her but maybe
like a hurricane she will go away someday
if we close our eyes and put our hands over our head
August 9, 1993
© 1995 Daniel X. O'Neil
"Some of the protocols went out the window because there isn't time in the day to get done what needs to get done in order to shoot a feature film in that many days," says the insider of the 19-day shoot. That meant having sets that were more crowded than they probably should have been, changing lighting after actors had already come to set, and failing to sanitize objects before other crewmembers touched them. "It's a slippery slope, because once certain protocols aren't taken seriously, it becomes, 'Well, I don't really have to be 6 feet away,' " says the source, who also felt that the designated COVID-19 monitor wasn't around as much as they should have been. "They were not monitoring. They were almost like a production assistant, where you're like, 'Hey, go get so-and-so another mask!' There was no one looking at me, saying, 'Stop what you're doing and put on a face shield.' And to me, that should have happened."
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